13,518 Royalty-Free Audio Tracks for "God Save The King Interpreted By Military Bands"

Marches des Princesses from the Cendrillon Suite performed by the Concert Band of the United States Air Force Band. Track 6 from French Impressions (2000).[1][2][3]

Silent Night performed by the United States Air Force Band. Track 17 from A Holiday Sampler (2009). Track 16 from Caroling (2006).

Amazing Grace performed by bagpipe soloist Sandy Jones and Scott Gunn as well as the Pipe Bands of the United States Air Force Reserve Band and the United States Air Force Band. Track 19 from Glorious Past, Boundless Future (2002).

Cécile Chaminade's Flute Concertino in D major, Op. 107, performed by the United States Marine Band on October 8, 2012 in Oncenter Crouse Hinds Theater in Syracuse, New York, during its National Tour to the Northeast. Colonel Michael J. Colburn, conducting and MGySgt Betsy Hill, flute soloist. This recording contains quite a bit of extraneous noise.

Cockles and Mussels - Celtic Aire - United States Air Force Band. Track 10 from As I Roved Out (2014).

Adjutant's Call performed by the Ceremonial Brass and Concert Band of the United States Air Force Band. Track 35 from Ceremonial Music (1993).

Drum Cadence performed by the Ceremonial Brass and Concert Band of the United States Air Force Band. Track 21 from Ceremonial Music (1993).

Silent Night performed by the Singing Sergeants of the United States Air Force Band. Track 13 from Christmas in Washington (1990).

New Britain, which is the well-known melody to w:Amazing Grace (brass version), Tower Music (track 16)

New Britain, which is the well-known melody to w:Amazing Grace (String version), 50th Anniversary (2004, track 18)

Otto Nicolai's overture to the opera The Merry Wives of Windsor, played by the United States Marine Band for the album Overtures, Volume Two.

Raisins and Almonds performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 8 from A Merry Little Christmas (2017).

Instrumental version of "Motherland" performed by the United States Navy Band

Radetzky March by Johann Strauss I, from Sound Off!, recorded May 18–21, 1992 at Center for the Arts, George Mason University

Still in Love performed by the Silver Wings of the United States Air Force Band. Track 8 from Connected (2008).

Le Chat performed by the Huffman Prairie Winds of the United States Air Force Band of Flight. Track 13 from Blue Skies (1993).

Amazing Grace performed by the Strolling Strings of the United States Air Force Band. Track 18 from The Strolling Strings 50th Anniversary (2004).

El Capitan performed by the Ceremonial Brass and Concert Band of the United States Air Force Band. Track 1 from Ceremonial Music (1993)

The bugle call "Taps", performed by Sergeant Codie Lynn Williams of Dallas, ceremonial bugler for Marine Barracks Washington, on a Soprano bugle in G, as typically performed in the U.S. military.

The Invincible Eagle performed by the Concert Band of the United States Air Force Heartland of America Band. Track 6 from Beyond the Horizon (1997).

The Gallant Seventh performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from American Salute (1998).

The waltz La Reine de la Mer by John Philip Sousa, played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

The overture Morning, Noon and Night in Vienna (Ein Morgen, ein Mittag und ein Abend in Wien) by Franz von Suppé, played by the U.S. Marine Band at a concert at the Departmental Auditorium in Washington, D.C. in 1973, conducted by band director Lt. Col. Dale Harpham

The Perfect Fool, Op. 39: "Dance of Spirits of Fire" performed by the Stellar Brass of the United States Air Force Academy Band. Track 2 from Fireworks for Brass and Organ (2007).

Camille Saint-Saëns's grand march Orient et Occident (Op. 25), played by the U.S. Marine Band for the album Marine Band Showcase, Volume 2.

Flight of the Bumblebee performed by the Strolling Strings of the United States Air Force Band. Track 23 from Air Force Strolling Strings 40th Anniversary (1994).

The "Introduction and Dance of the Nautch Girls" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

Franz von Suppé's overture to the opera Leichte Kavallerie (Light Cavalry), played by the United States Marine Band for the album Overtures, Volume Two.

John Philip Sousa's "Anchor and Star" (1918) as performed by the United States Marine Band. Track 81 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

Mr. Bo Hica performed by Dimensions in Blue of the United States Air Force Band of the West. Track 25 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

John Philip Sousa's "With Pleasure" or "Dance Hilarious", played by the United States Marine Band for the album Courtly Dances.

The march "The Charlatan" by John Philip Sousa, played by the United States Marine Band

Four ruffles and flourishes, followed by the Grandioso of The Stars and Stripes Forever (its last 32 measures), performed by the U.S. Army Band. This combination is used to provide musical honors to senior civilian government officials.

Tale of Tsar Saltan, Op. 57: "Flight of the Bumblebee" performed by the Concert Band of the United States Air Force Band of the Rockies. Track 6 from Hands Across the Sea (2007).[1][2][3]

The Grandioso of The Stars and Stripes Forever (its last 32 measures), performed by the U.S. Army Band. This is used to provide musical honors to consuls general accredited to the United States, and is often performed during the posting of the National Colors.

John Philip Sousa's The Stars and Stripes Forever, performed by the U.S. Army Band

An instrumental U.S. recording of "Wilhelmus van Nassouwe", the Dutch national anthem.

Columbia, the gem of the ocean / Becket [sound recording]

It Came Upon a Midnight Clear, Deck the Halls (a holiday mashup) performed by the A Cappella Singers of the United States Air Force Band of the Rockies. Track 8 from Christmas from the Rockies (1993).

John Philip Sousa's "The Rifle Regiment", performed by the U.S. Army Band

John Philip Sousa's "The Invincible Eagle", the interim march of the United States Space Force, performed by the U.S. Army Band

Volte, no. 201 from Terpsichore, Musarum Aoniarum, performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 4 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1][2][3]

Drumbeats in a military style.

Nederlands: Adjudant S.P. van Leeuwen componeerde in 1961 voor het regiment de defileermars ‘Toujours en Tête’ (Steeds vooraan). De Koninklijke Militaire Kapel ‘Johan Willem Friso’ speelt de mars, beter bekend als regimentsmars, tijdens belangrijke momenten en ceremoniële gelegenheden.

Papal Hymn Long Live the Pope by Hugh T. Henry (words) and Henry G. Ganss (music)

The Battle Hymn of the Republic, Free (track 9 of 14) and Such Brave Defenders (track 14 of 48) Українська: «Бойовий гімн республіки», «Вільні» (трек 9 із 14) та «Такі хоробрі захисники» (трек 14 із 48)

Forward with NOAA the NOAA Corps Song The "NOAA Corps Song" is actually entitled "Forward with NOAA." In 1987-88 the National Association of Commissioned Officers (ACO) was interested in commissioning a NOAA Song. Captain (then Commander) Steve Manzo was a member of the ACO Executive Board and volunteered to assist. Manzo contacted a long-time friend, Bob Arberg. Bob's father, Bud Arberg, had actually written the music and words to the "Army Song" -- while assigned to the Adjutant General's Staff during World War II. Dr. Arberg (former Princeton graduate in music) was retired and he readily volunteered to write a song. Dr. Arberg was provided reference materials on the NOAA Corps. He recognized at the outset that this was an attempt to build NOAA Corps morale and he cautioned that buy-in/acceptance within the Corps would not be easy. The song was first presented at a National ACO Dining-In in either 1988 or 89. Secretary of Commerce William Verity was present, as were both Bud and Bob Arberg. Bud Arberg played the piano and performed the "NOAA Song" to the assembled group of 150 officers and guests. Upon completing the NOAA Song, Secretary Verity graciously presented Dr. Arberg with a small gift of thanks on behalf of DOC/NOAA/NOAA Corps. The music was arranged by the USAF Band. The words are as follows: Forward with NOAA With the Corps that's got it all Science and Service We are always there to meet the call We survey the oceans And we track storms in the air Forward with NOAA We're the NOAA Corps, we're always there -- Musical Interlude then Repeat -- Forward with NOAA With the Corps that's got it all Science and Service We are always there to meet the call We survey the oceans And we track storms in the air Forward with NOAA We're the NOAA Corps, we're always there

Sousa's "The Stars and Stripes Forever" performed by the United States Air Force Band of Mid-America. Track 10 from Infinite Horizons (2002).

The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Heritage of America Band. Track 15 from American Salute (1998).

Hark the Herald Angels Sing performed by the Concert Band of the United States Air Force Heritage of America Band. Track 1 from Holly and Ivy (1993). Recorded in 1993 at Chrysler Hall in Norfolk, Virginia.[1][2][3]